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VHYes

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Average ratings=7,4 of 10 / writer=Nate Gold / Jack Henry Robbins / rating=93 vote / Comedy / Country=USA. Drafthouse News. VHYes movie page imdb. | Nick Allen January 17, 2020 A sense of humor is a funny thing, especially for those of us who treasure the weird stuff. When something that's "out there" works, it’s true love. When it doesn’t, it’s like a bad date that had huge promise until it got underway. Jack Henry Robbins' “VHYes, ” with all of its nostalgia for late ‘80s TV and its endemic cheesiness, follows after the likes of Weird Al Yankovic's masterpiece " UHF, " Casper Kelly's endlessly loopable opening credits hellscape "Too Many Cooks, " and even the Kyle Mooney skits that are "cut for time" on "Saturday Night Live. " And while I adore all of those polarizing works, I didn't see what was funny about the shallow wackiness of "VHYes. " Advertisement Shot entirely on VHS and Betamax, the whole of "VHYes" is presented as the contents of a video tape, which was initially used to film the wedding for the parents of a young boy named Ralph ( Mason McNulty). When Ralph gets a camera for Christmas in 1987, and learns that he can record from the TV, it opens a world of possibilities. Namely, whatever he can find on the TV that is weird to him at the time. In one of its many abrupt, fuzzy cuts, an excited young Ralph jumps on his bed and says that he wants to create the ultimate video playlist, and soon into watching “VHYes” you accept that that’s all you’re going to get.  Instead of feeling like the chaos of a found tape, “VHYes” assembles itself like a series of sketches that it can bounce between, with random peeks back at the original wedding video contents; it struggles to have a heart by intermittently making it a story about Ralph realizing the truth behind his parents' marriage. Some sketch set-ups are directly, lazily recognizable to TV history: one cop parody steals the red and blue text from “Law and Order” because you wouldn’t get that it’s meant to parody if it didn’t have that logo. As if a tell on its weak absurdity, "VHYes" has yet another parody on TV painting instructor Bob Ross (even after Deadpool did it), with a segment starring Kerri Kenney, who turns the zen of such a host into the mindset of a creepy person who believes in aliens.  The very nostalgia within the concept becomes a pit, even when “VHYes” threatens to get truly weird. It’s not until the final minutes that the movie taps into the reality-bending that had been hinted at earlier, when Ralph started to see himself in the stuff he was watching, after one segment involved a VHS expert talking about the soul-suck that will be handheld recording in the future. Many parody sketches don’t have a discernible reference to build on (the recognition is what makes it initially funny), and instead rely on a shallow cheesiness. Even though "VHYes" features many dynamic funny people like Kenney, Thomas Lennon, Mark Prosch, Charlyne Yi, and Robbins' parents ( Tim Robbins and Susan Sarandon), many of the characters in these sketches are so broad they aren't particularly clever. “VHYes” breaks the biggest rule of parody, over and over again: it simply tries way too hard with material that’s far too easy. That’s the case with an adult film bit that goes for low-hanging fruit of bad acting, as one guy is poorly reading cue cards in a late night movie about three alien women. Or there's an ongoing true-crime show about how a sorority thought one of their sisters was a witch because she did magic, which is a funny premise given a flat execution. The commercials that are thrown in the mix, like about a violent security company, or pads to sound-proof your bathroom, are like random splatters of paint whose only intention is to fulfill the project's obvious self-amusement.  While “VHYes” is very much inspired by the media experience of 1987, it’s actually about a very modern hell: Your friend sits you down to show you something really funny on YouTube, but oh, no—they’ve misjudged your sense of humor. Now you’re stuck, watching all of it, trying to find something funny to offer a polite relief. I started to feel trapped by my obligation to watch something that could very well have been my type, but now I’m just grateful the filmmakers of “VHYes” didn’t watch me watch it in laughless silence. Reveal Comments comments powered by.

Vhyes movie review.

 

Vhyes movie showtimes. I'm addicted to found footage movies. But this is something special. A real ride. Tim Robbins looks like Col. Sanders now. YouTube. Vhyes full movie. 40:36 - Intrige. You got anything to declare? Yea dont goto england. im getting that vibe pumped for this. Vhyes movie times. Thank you for the service. for what? you criticize the wars but thank the army…. Vhs movie trailer. Vhyes movie. VHYes movie database.

 

I'm watching it. VHYes movie page. January 16, 2020 11:50PM PT An old camcorder tape harbors a jumble of ersatz ’80s home movies and broadcast clips in this lukewarm comedy-skit assembly. Its slim premise involving a couple of 13-year-old boys having fun with a camcorder in the late ’80s, “ VHYes ” is maybe a little too faithful to their sensibility — being exactly what a kid raised on “Saturday Night Live, ” “SCTV, ” and maybe cable broadcasts of “Kentucky Fried Movie” would imagine as the coolest home-made movie ever. It’s a freeform jumble of skits spoofing vintage broadcast series, commercials, public access shows, porn, and whatnot, their mildly surreal bent increasing as the short feature goes on. Duly shot on VHS and digital Betacam, this first feature for Tim Robbins and Susan Sarandon’s son Jack Henry Robbins is an amiable goof deploying cameos by the ’rents as well as some other familiar faces. But it’s the kind of enterprise that will only seem as funny, clever, and “weird” as it means to be if watched while very stoned and/or adolescent. There are scattered laughs on offer, albeit nothing that hasn’t been done much better elsewhere, whether in “Putney Swope” half a century ago, in more recent viral sitcom hallucination “Too Many Cooks, ” or in the ongoing clip shows of the Found Footage Festival, which excavates real VHS-era oddities more hilariously strange than anything here. Oscilloscope is opening “VHYes” limited in U. S. theaters on Jan. 17. Conceived by the director, co-writer Nunzio Randazzo, and Nate Gold, the film starts with wedding and holiday home movies that we soon realize are being obliviously taped over by Ralph (Mason McNulty), whose parents (Jake Head, Christian Drerup) have given him a camcorder for Christmas 1987. Of course he immediately and obsessively starts filming anything and everything, with or without best friend Josh (Rahm Braslaw). But he also uses the device to record shows off television. Thus we see random snippets of children’s program “The Kindly the Cowboy Show, ” public access instructional “Painting with Joan” (Kerri Kenney playing the titular hostess), a different amateur cable slot with teen Charlyne Yi presenting musical guests in her basement, clone-themed sitcom “Ten of the Same, ” aerobic exercise forum “Blastoff, ” informercial and antiques-evaluation shows, et cetera. Among the better bits are a home-security-system advert that turns into a bloodbath, and a couple severely truncated XXX features (all the sex edited out), with an amusing Cameron Simmons as various brainless studs put to good use by lady scientists and sexy Swedish space aliens. There’s a bit of savvy commentary when a media expert interviewed on a talk show is dismissed as crazy for predicting a future in which people risk accidents and neglect their real lives in pursuit of compulsively filming themselves — i. e. our selfie-riddled present. The movie also arrives at a sort of narrative climax when our young protagonists investigate a “haunted sorority house” abandoned after a fire, suffering some “Blair Witch”-style frights there. But all this is pretty thin stuff, written with medium-watt inspiration at best and acted by performers variably able to make it seem better than it is. The best thing the film has going for it is editor Avner Shiloah’s scrambled channel-surfing assembly, which seldom sticks with any bit long enough for it to get too stale. Still, “VHYes” feels overextended even at the 66 slim minutes it takes to reach the final credits. The world at present is too over-saturated with pop culture satire (and unwitting self-satire) for this kind of sub-“Funny or Die” material to feel worth the effort, though a good time was surely had by all concerned. Disney Plus unveiled the first footage from its upcoming Marvel TV shows — “WandaVision, ” “Loki” and “The Falcon and Winter Soldier” — during the Super Bowl. The trailer teases the expanding comic-book universe that will unfold on the small screen. More to come… James Bond made his way to Super Bowl LIV, debuting a new trailer for “No Time to Die. ” The footage, putting the spotlight on Daniel Craig’s British spy, promises the 25th “Bond” movie “will change everything. ” The 30-second clip also sees Lashana Lynch’s 00 agent in the cockpit as Craig asks, “Have you ever flown [... ] Joaquin Phoenix called on his peers to help dismantle racism in the film industry during a rallying acceptance speech for his best actor award at the 2020 BAFTAs. During a ceremony that was short on controversy, the “Joker” star was the only industry figure to discuss the ongoing issue in the film business, claiming that [... ] Scarlett Johansson and Florence Pugh take center stage in the new “Black Widow” trailer that dropped at the 54th Super Bowl. Details are scarce on the next Marvel movie, directed by Cate Shortland, but new footage teases Natasha Romanoff’s life before she was an Avenger. “You don’t know everything about me, ” Johansson’s Black Widow says [... ] Tom Cruise has made an enemy in the newest “Top Gun: Maverick” trailer, which premiered during the 54th annual Super Bowl on Sunday. “My Dad believed in you, I’m not going to make the same mistake, ” says Miles Teller who is playing Bradley “Rooster” Bradshaw, son of Nick “Goose” Bradshaw, deceased wingman to Cruise’s character. [... ] The Sundance Film Festival is fighting a battle that’s been building for several years, and what it’s fighting for can be summed up in one word: relevance. What makes a Sundance movie relevant? In a sense, the old criteria still hold. It’s some combination of box-office performance, awards cachet, and that buzzy, you-know-it-when-you-see-it thing of [... ] When Tim Bell died in London last summer, the media response was largely, somewhat sheepishly, polite: It was hard not to envision the ruthless political spin doctor still massaging his legacy from beyond the grave. “Irrepressible” was the first adjective chosen in the New York Times obituary. “He had far too few scruples about who he [... ].

Made me perk up my eyebrows and listen multiple times. Good shit, people! Keep it up. Honestly it felt like a black mirror episode, less intense though. As beautiful as her mother at that age. Why cuhh why. VHYes movie maker. Surfs up dude. As a South African, I'm lowkey offended by how bad these South African accents are😂😂. Vhyes 2019 movie. VHYes movie. 1:42:16 - Trailer zu Spiral From the book of SAW. VHYes movies.

 

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Writer: Karrie Lyles

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